July 5, 2006. It’s been a decade since he came into our lives. Never forget Aldo Kelrast.
1987 - Anatomy of a Cover - X-Factor #25 by Walt Simonson
The shading and coloring in that last cover… ugh. Who thought that was a good idea to do in that art style?
I get why it doesn’t really exist anymore, but I prefer the non-digital coloring.
(via stuff-youlike)
Best visual representation of functional depression I’ve ever seen. You go to work, do the things that people expect you to do, then come home and just… blank out. Microwave is your best friend. Cleaning makes no sense. Drinking helps a little, sometimes. Every evening is the same. Nothing ever changes except the amout of trash waiting to be thrown out.
This is why I loved Fraction’s Barton. Clint’s very visible depression gave me a hook that I could suddenly relate to. I’ve been where Clint was. It sucked. But seeing Clint keep going kind of gave me hope.
half of these panels look like my 20s, guess which
Looks like my present but with fewer Moloids in reality.
(via whaler)
The Avengers #256, June 1985, cover by John Buscema and Tom Palmer
Jeez, Starfox, help Cap up. You can fly for Pete’s sake.
ROGUE ONE- I haven’t been this excited since the first teaser for TFA. I desperately wanted to make this right after I saw the trailer but had finish up some Poe Dameron work. It’s all crazy and wonderful.
Beauty And The Beast #2, February 1985, cover by Bill Sienkiewicz
Fun fact: Before the decision was made to resurrect Marvel Girl, the original plan was to have Dazzler as a member of X-Factor.
You know, I never noticed before that the receptionist from Beetlejuice was also Carmen from ¡Three Amigos!
